I entered the comics industry exactly the same way I entered the animation industry. I showed up with a project to pitch and someone said, "Your thing is pretty cool. Now come over here and work on my thing." In this case, that project was the continuation of one of Dark Horse's early success stories: an anime-inspired series called MECHA.

Aaron Broid leads his team into another city to look for potential allies. Their enemy isn't just an oppressive system, it is the indifference of those being oppressed. The masses have never known another way of life and lack the imagination to build one. It will take someone from outside the bubble to ignite them. And he can't do it alone. Meanwhile, in the real world, the comic book industry broke my heart for the first time.

In this chapter of the story, the heroes (if we can call them that) have just taken their first lumps, and Broid himself is beginning to see what an impossible task it is to upend a system of government. I wanted to demonstrate how arrogant he could be, wielding his intellect like a cudgel against Sef just as the younger man is beginning to invest in their crusade.

BROID #2 was only half the length of #1, but it was a lot denser with more characters and a busy city environment. Drawing the second issue of a series is when you realize that your hobby has become your job, and the calendar now rules your life. So you better REALLY love drawing comics, or you're not gonna last. Fortunately, I did (both).

A lone man awakens in a dark future of dust and smoke that make it very difficult to tell friend from foe. Life is hell at the end of the world. Only the best survive. Here is the first issue of the my first original, for-real comic book series from cover to cover, a post-apocalyptic SF action epic inspired by some of my favorite stories. Every finished page is accompanied by its corresponding rough and pencilled version.