TV Anime Special, 1980
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Continue Reading >This batch takes us from August 2008 to August 2010, another two years of strong stewardship by Rebellion that further strengthened the quality and variety of the Galaxy’s Greatest Comic. All the classic characters got their turn with Judge Dredd as the tentpole in every prog. There were no format...
Continue Reading >The Megazine had been going for more than a decade by the time we got here, but it was still capable of delivering a surprise or two. This run in particular, the first volume to start under the ownership of Rebellion, was loaded with puzzling choices. First, it changed size...
Continue Reading >Above is my first crack at the opening page, which I had to redo when I was reminded that the statue had to face out toward the ocean. The revised version is below. Also, I consistently drew Captain Avatar’s peacoat too short on later pages. I fixed it after these...
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Continue Reading >When I realized that the two biggest moments of this story could be linked by making both of them into double-page spreads, I felt like I’d unlocked a door to the universe. Sometimes comic book storytelling is pure magic. Back to main article
Continue Reading >39 TV productions including Cyborg 009, Doraemon, Mobile Suit Gundam, Yamato The New Voyage, Gatchaman F, Rose of Versailles, and Blue Noah. 13 feature films including Galaxy Express 999, Aim for the Ace, and Lupin III: Cagliostro Castle. January Animage Vol. 8 OUT, March issue Quarterly Fantoche No. 1 Back...
Continue Reading >40 TV productions including Traider G7, Legendary God Giant Ideon, Baldios, Legend of Marine Snow, New Mighty Atom, Space Battleship Yamato III, and Tomorrow’s Joe 2. 18 feature films including Tomorrow’s Joe, Phoenix 2772, Toward the Terra, Be Forever Yamato, and Cyborg 009: Legend of the Super Galaxy. 1980 began...
Continue Reading >As the brainchild of editor Shigeo Ogata at Tokuma Shoten Publishing, the Roman Album series has become so influential that the term is sometimes used to describe any form of anime-based book. Inspired in no small way by examples set in OUT and Rendezvous magazines, they examine their topics with...
Continue Reading >From August 2006 through August 2008, the cover logo got a facelift at the end of 2007, the cover price crept up a bit from £1.75 to £1.90, and the galaxy’s greatest comic kept on being great with all the most popular characters getting their due. Clint Langley brought more...
Continue Reading >With issue 39, the Megazine changed its cover design and format and gave us all quite a gift; an issue-by-issue reprint of Preacher, originally published in the US by Vertigo (an imprint of DC comics). It was an odd choice in terms of content, since it has nothing in common...
Continue Reading >Introductory editorial Messages from industry personnel Notes on the 10th Annecy International Animation Festival Animation Artist of the World 1: The World of Norman McLaren Report on the Private Animation Festival TV Animation: Heidi, Girl of the Alps Elucidating Independent Works (1) Moudou | What is Superman? essay by Kosei...
Continue Reading >The shift from “Volume 2” to “Volume 3” only came with two significant changes: the logo was redesigned and the cover price jumped 20p to £1.80. Content, format and page count were the same. However, when you look at the broader context at the time, something VERY significant was happening:...
Continue Reading >After the tumult of the 90s and the subsequent rescue by Rebellion, the patient made a complete recovery and returned to full strength. From then on, the Galaxy’s Greatest Comic was back at the top of its game with a continually renewable resource of classic characters, freshened up by new...
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Continue Reading >A handful of pages from this issue went missing from my archive, so I’ve substituted finished color pages for those. I inked pages 13, 14, 16, and 17. Continue to character designs Back to main article
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